Signal processor and mixing consoles have replaced element base, which led to the expansion of the functionality of these devices. Increased functionality of mixing consoles. There were analog consoles with automation and fully digital mixing consoles, as well as multi-functional digital processors. Appeared computer interface and remote control devices. Signal delivery systems "have mastered the" digital technology that provided through digital path from source to the amplifier. In this regard, there were several standard audio transmissions, varying the type of line (coaxial cable, Category 5) and transport protocol. Adapting technology to build computer networks for transmission of continuous flow needs of the audio data now allows you to create complex audiokompleksa in which flexibility ensured by the possibility of different devices communicate with each other using a common system for data transmission.
Building a sound system must take into account the operating conditions of the system. Mobile public address systems are built in a different way, rather than stationary. This is due to the modular principle of construction of mobile systems, when economically feasible to have a large number of similar elements. A related site: altavista mentions similar findings. Stationary complex may have a large number of different elements of the system, but of sound equipment does not change from presentation to presentation, and the change of system architecture provided mainly by setting processor controls the speakers and change the configuration mixing console. Mobile System must have a flexible architecture to make it possible to change the composition of the daily equipment depending on the concert stage and the task. Due to intensive use, portability, reliability and maintainability are the defining characteristics of the creation of such complexes. These requirements explain the popularity of 19-inch format devices, abundance of expensive connectors, the size of large equipment that are multiples of width and height of the van, and the availability of wheels and trolleys moving equipment on the concert platform.
Equipment designed for use on small sites, is performed so that the two technicians to carry out loading and unloading. Large cell sound systems for tours are designed to use the forklift, even inside the aircraft. Signal chain sound system consists of the following links: Signal Sources Stage box Multikor Splitter mixer Loudspeaker Management Processor Amplifiers Multikor Speakers. This is a generalized circuit of the signal, and in each case, the equipment may vary. The architecture of input lines Entrance Channel Contemporary Concert analog mixing console in the range from five hundred to two thousand dollars, the number of input cells is chosen not less than number of sources. Cable system is based on the principle of the flexible connecting the required number of instruments in the correct position on the scene, so the standard is based on the Multi small tank, called sabsneykami (subsnake) and represents, for example, 12-pair cable with multikor box at one end and multirazemom on the other. Due to incomplete loading of each container such sabsneyka multikorov may be twice the number of input cells console. Having set the required length sabsneykov, you can always connect a variety of sources, without creating the chaos of wires on the stage.
Building a sound system must take into account the operating conditions of the system. Mobile public address systems are built in a different way, rather than stationary. This is due to the modular principle of construction of mobile systems, when economically feasible to have a large number of similar elements. A related site: altavista mentions similar findings. Stationary complex may have a large number of different elements of the system, but of sound equipment does not change from presentation to presentation, and the change of system architecture provided mainly by setting processor controls the speakers and change the configuration mixing console. Mobile System must have a flexible architecture to make it possible to change the composition of the daily equipment depending on the concert stage and the task. Due to intensive use, portability, reliability and maintainability are the defining characteristics of the creation of such complexes. These requirements explain the popularity of 19-inch format devices, abundance of expensive connectors, the size of large equipment that are multiples of width and height of the van, and the availability of wheels and trolleys moving equipment on the concert platform.
Equipment designed for use on small sites, is performed so that the two technicians to carry out loading and unloading. Large cell sound systems for tours are designed to use the forklift, even inside the aircraft. Signal chain sound system consists of the following links: Signal Sources Stage box Multikor Splitter mixer Loudspeaker Management Processor Amplifiers Multikor Speakers. This is a generalized circuit of the signal, and in each case, the equipment may vary. The architecture of input lines Entrance Channel Contemporary Concert analog mixing console in the range from five hundred to two thousand dollars, the number of input cells is chosen not less than number of sources. Cable system is based on the principle of the flexible connecting the required number of instruments in the correct position on the scene, so the standard is based on the Multi small tank, called sabsneykami (subsnake) and represents, for example, 12-pair cable with multikor box at one end and multirazemom on the other. Due to incomplete loading of each container such sabsneyka multikorov may be twice the number of input cells console. Having set the required length sabsneykov, you can always connect a variety of sources, without creating the chaos of wires on the stage.
Posted by: |